Stanley was inclined to think the censorship should be extended to the supply of what he styled latter-day fiction; good wholesome stories were being ousted, he said, by “vicious, corrupting stuff” that “left a bad taste in the mouth. A young man —almost a boy, slight, dark, and with his brother’s deep grey eyes—came across the room to her. ’ He added on a teasing note, ‘Though if there’s anything suspicious we can always get the key from Pottiswick. I like high tone for a flourish and stars and ideas; but I want my things.
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