The drawers at the moment were too busy to attend to her, and she would have seized the opportunity of examining, unperceived, the assemblage within, through a little curtained window that overlooked the adjoining chamber, if an impediment had not existed in the shape of Baptist Kettleby, whose portly person entirely obscured the view. “Come,” she said. Third period was Art, where they sat side by side at a table and carved linoleum for block prints together. I have work there.
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