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While the cloth was laid, the host and Thames descended to the cellar, whence they returned, laden with a number of flasks of the same form, and apparently destined to the same use as those depicted in Hogarth's delectable print—the Modern Midnight Conversation. ‘So it would appear. An old woman took her in. The walls were of immense thickness; the small windows double-grated and unglazed; the fire-place was without a grate; and a barrack-bed, divided into two compartments, occupied one corner. At the same time she was wildly exultant at the resolution she had taken, the end she had made to her blunder.
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