She turned to the stage, and Tristan was wounded in Kurvenal’s arms, with Isolde at his feet, and King Mark, the incarnation of masculine force and obligation, the masculine creditor of love and beauty, stood over him, and the second climax was ending in wreaths and reek of melodies; and then the curtain was coming down in a series of short rushes, the music had ended, and the people were stirring and breaking out into applause, and the lights of the auditorium were resuming. “Of course. I love my husband. All this was exciting and entertaining. A dark mass of wreckage, over which hung a slight mist of vapour, lay half in the ditch, half across the hedge, close under a tree from the trunk of which the bark had been torn and stripped.
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